Cinematic Light Bundle

These are the workhorses. 100 clips designed to move cleanly from one scene to the next, shot in 10-bit so they hold up through any grade and color match to any environment. At 60fps you can time remap to hit exactly where you need them. Oftentimes our editors will layer several of these clips so each transition has its own signature.

Short, fast, and intentional. These clips mimic natural light in rapidity and purpose, giving you something that hits quickly without feeling cheap. A good balance of depth and delicacy for moments where a full transition is too much but you still want something there.

Direct, high-energy light. These clips hit hard and hit fast and are built for projects that need intensity. Ideal for YouTubers, marketing agencies, filmmakers, and any edit where the environment calls for light that commands attention. With 60fps, many of these can slow down to transform into something more subtle, but their original intent was for quicker and intentional movement.

Warm rays across a range of colors, behaving exactly like real light. They hold up through heavy color correction and fit cleanly into whatever grade you’re working in. Great for content creation, indie film, music videos, documentaries, commercial work, and avant-garde projects where the light needs to feel earned.

Vibrant, psychedelic, and completely organic. These clips are rich in tone and depth. The kind of color that adds emotion to a scene rather than just sitting on top of it. Built for editors, YouTubers, social media creators, athletes, fitness content, indie filmmakers, and anyone who wants color that has personality. Slowed down, these can also be valuable title sequence backgrounds.

Bright, hard-edged flares with a lot of energy. Built for fast cuts and impact moments where you need something that registers immediately.

Multiple light sources, layered reflections, more going on in the frame. Use these when you want visual depth rather than a single clean hit. Great for sections where you want something that sustains attention without forcing a cut.

Shot through a triangle prism. Good for cuts where you want something that sustains attention and adds a flash of interest without a hard impact.

Soft, golden light. Great for anything where you want the footage to feel lived-in and warm.

Slow-moving overlays with neutral tones. They add movement and texture to an otherwise static shot without pulling eyes too far away.

Low-intensity and film-like. Use these when you want a tactile quality to the image rather than a visible light effect. These are meant to be felt. Great for titles.

Organic lens artifacts that bleed in from the edges and twist away. Great for beauty shots and wedding videography.

Just what it sounds like. Built to sit behind titles or spice up a credits scroll. Some of these clips, when slowed down from 60fps, run over a minute long.